Encyrpt/Decrypt Files/Messages with GPG

Let’s say that you have a very confidential message or file that you want to share with someone and you absolutely don’t want anyone else to be able to see it. Most people would just share the message via email or some other communication tool, but this isn’t necessarily secure, especially since the tool provider, like Gmail, could access your email communications. When you want to be 100% sure that only your recipient can view your message, the best practice is to encrypt/decrypt it using GPG.

Encryption Variations

Pretty Good Privacy (PGP) is a proprietary encryption program that provides cryptographic privacy and authentication for data communication.

OpenPGP is a non-proprietary, open-source version of PGP.

GnuPG (Gnu Privacy Guard / GPG) is a non-proprietary, open-source version of OpenPGP.

GpgFrontend

This post will show you how to share secret messages with a friend by encyrpting/decrypting them using GPG. There are many tools that can encrypt/decrypt messages using GPG, including command line tools. I will use GpgFrontend because it appears to be the easiest for the general public to use. For this tutorial, I will use Windows.

1. Download the GpgFrontend

Both you and your friend will need to perform this step.

You can download the Windows installer or the portable version that doesn’t require installation. For simplicity, I will just download the portable version.

  1. Download the portable version from GpgFrontend’s latest releases, labeled GpgFrontend-*******-windows-x86_64-portable.zip.
  2. Extract the contents of the downloaded ZIP file.
  3. Run GpgFrontend.exe from the extracted Program/bin directory.

2. Generate a Key Pair

Your friend will need to perform this step.

Open GpgFrontend

Click on “Manage Keys”.

    Click “New keypair”.

      Fill in your details, such as name and email, and choose your desired key type and size. You can also add a comment if you wish. Set an expiration date for the key, or choose ‘Never Expire’ if you prefer. Optionally, create a passphrase for added security. I will click the Non Pass Phrase checkbox for simplicity. Once all details are filled in, click ‘OK’ to generate your key pair. You will then see your key listed in the KeyPair Management window.

        3. Share Public Key

        Your friend will need to perform this step.

        In the KeyPair Management window, select the key you want to export, right-click, and click “Show Key Details”.

        Click the “Operations” tab, then click the “Export Public Key” button.

        Save the public key somewhere on your computer. For me, the filename generated was David[email protected]_pub.asc. The “pub” stands for “public” because this is your public key that you can share with other people. If you open the public key file, it will look something like this.

        Your friend should send you this file so that you can use it to encrypt your message.

        4. Import Public Key

        You will need to perform this step.

        Click “Import Key” -> “File” and browse to the public key file your friend shared with you.

        Click the OK button to confirm importing the key.

        5. Encrypt a Message

        You will need to perform this step.

        Write a message in the main text area of GpgFrontend.

        Check the public key in the list of keys in the Key Toolbox pane. To do this, click in the leftmost column of the key you want to use, outlined in red in the screenshot below.

        Click the “Encrypt” button. You will see that your plaintext message was converted to a PGP message.

        6. Share the Encyrpted Message

        You will need to perform this step.

        Copy the encrypted message and share it with your friend, e.g. via email.

        7. Decrypt the Encrypted Message

        Your friend will need to perform this step.

        Copy the encrypted message into GpgFrontend’s main text area.

        Click the “Decrypt” button. You’ll see the encrypted message get converted to plain text.

        With GPG, you can do many other things as well, including

        Learn more

        Camera Tips For Making Travel Videos

        After making a number of vacation videos using

        • my phone (Google Pixel 8)
        • my action camera (Insta360 Ace Pro)
        • my two 360 cameras (Insta360 X3)

        I’ve found the following works best for depending on the scenario.

        Driving

        • If HDR is necessary and you only want to film in one direction, mount the Ace Pro on the windshield facing the front of the vehicle (FPV)
        • If you want to film both the vehicle occupants and the road, mount the Insta360 X3 on the windshield
        • Shoot either a regular video or a Timeshift video

        Walking (Daytime)

        • Mount one Insta360 X3 on your chest (FPV). The Ace Pro isn’t a 360 camera, so it will not allow you to reframe later on to get subjects that are not directly in front of the camera.
        • Hold a second Insta360 X3 or X4 on an extended selfie stick such that the camera is at eye level to film yourself

        Walking (Nighttime)

        • For good image quality, mount the Ace Pro either on your chest or on a selfie stick and use “Pure Video” mode to get good night shots.
        • If you use the Insta360 X3/X4, the image quality will be much worse.

        Hotel Room Tour

        • Mount the Ace Pro on a selfie stick and film as FPV or film with the screen flipped up so you can film yourself (selfie)
        • Use “Pure Video” mode because you will be indoors and with unnatural (low) light.
        • I tried using my phone with a gimbal, but I preferred the simplicity and the results of using the Ace Pro.

        Here’s a comparison of the picture quality from taking a snapshot of a video taken by both the X3 and the Ace Pro. As you can see, the Ace Pro picture quality is way better. Click on each image to open the original files.

        Snapshot from 360-deg video on X3 – View enlarged image
        Snapshot from 4K, 30 fps PureVideo using “Action” (wide) setting on Ace Pro – View enlarged image

        Here’s another comparison.

        X3 – 1080p
        Ace Pro – 4K PureVideo

        Eating

        • Use X3

        Airplane Take-off and Landing

        When filming a take-off/landing from a window seat of an airplane, the difficult is keeping the horizon level. Also, with HDR technology, the sky can look overexposed, white, and washed out. If you use a 360 camera, you can adjust the horizon in post, but that’s a hassle. Ideally, use a gimbal, like the one integrated with the DJI Osmo Pocket.

        Replace Song Vocals With Any Instrument

        There may be times when you want to listen to a popular song, but you just want an instrumental version of it. There are many tools that use AI to remove vocals from a song, but unless you are making a track for karaoke, where you’d provide your own vocals, simply removing the vocals from a song will not result in music you’d care to listen to. For example, if you search YouTube for an instrumental version of a song, you’ll find many where the vocals were simply removed – and with poor quality at that. A better instrumental version of a song is one made by replacing vocals with instrument, e.g. piano, saxophone, etc. Compare the 3 audio clips below.

        Audio clip with original vocals

        Audio clip with vocals simply removed (somewhat imperfectly)

        Audio clip with vocals replaced with Alto Saxophone instrument

        Audio clip with vocals replaced with Chill Wave Synth instrument

        Here’s how to replace vocals with any instrument.

        1. Create a BandLab account

        https://bandlab.com

        Some features require a subscription.

        2. Open the splitter

        Click the icon to the right of the BandLab logo, then click on the Splitter link. Or, go to https://www.bandlab.com/splitter.

        3. Split a song into tracks

        You will have to option to choose how many tracks to split the song into. Since we’re only interested in replacing the vocals, you can choose “4 Tracks”. Then, click the “Split” button.

        BandLab will upload the song audio file and take a minute to split the audio.

        When it’s done, click “Open in Studio”.

        You will see the 4 tracks in the Studio.

        4. Convert voice to MIDI

        Right-click on the “Vocals” track and click “Audio to MIDI” > “Voice to MIDI”.

        5. Change the MIDI track to one of 370+ instruments

        You’ll see a new track below the “Vocals” track called “Audio-to-MIDI”.

        On the “Vocals” track, click the “M” button to mute that track. The track’s soundwave will gray out.

        6. Choose an instrument

        1. Click on the “Audio-to-MIDI” track.
        2. Click “Studio Grand” (the default instrument” to open the “Browse Instruments” dialog. Click on the play button to the left of an instrument to preview the sound. Search for an instrument by typing the instrument’s name in the search field. I will type “sax” and then click the “Alto Saxophone” instrument.

        7. Preview the instrumentalized song

        1. On the “Audio-to-MIDI” track, move the vertical playbar to the beginning of some signals in the track.
        2. Click the Play button to preview the song.
        3. Experiment with different instruments.

        Optionally, lower the volume of the “Audio-to-MIDI” track if that produces a better result.

        8. Tweak MIDI notes

        Some of the MIDI notes probably won’t sound right. You’ll need to tweak them.

        1. Click the “Audio-to-MIDI” track.
        2. Click the “MIDI Editor” button at the bottom left.
        3. Click on a MIDI note (a single blue bar to the right of the vertical piano keys) to hear the note.
        4. Left-click and drag the MIDI note up or down to change the sound.

        9. Export audio

        When you’re satisfied with the preview, download the audio by clicking Project > Download > Mixdown As”

        Choose one of the download options.

        Insta360 Ace Pro Tips

        Chest Mount

        Use this magnetic chest mount for hands-free FPV (first-person view) filming. The camera should be positioned upside down to lay flat on your chest.

        Daytime Video Recording

        • Choose “Freeframe video” mode.
        • Ratio: 4:3 (in the Studio app, change it to 16:9)
        • Active HDR: On
        • Resolution: 4K (this is the only option)
        • Frame Rate: 30 fps is good enough (this is the highest frame rate that supports HDR)
        • Horizon lock: choose 360-degree horizon lock

        Slow Motion Video Recording

        Choose “slow motion” mode to record a video with a high frame rate. Allows you to shoot in 240 frames per second in 1080P, or up to 120 frames per second in 4K.

        Night Shots and Low-Light Scenes

        Choose “Pure Video” mode.

        FlowState Stabilization

        There are 3 stabilization options: Off, Low, Standard, and High. Choose High for very shaky situations. Note that the high setting will result in more cropping.

        Field of View (FOV)

        Choose Dewarp to experience a wide FOV with minimal distortion. This is ideal for scenarios such as skiing and vlogging.

        Quickly cancel a recording

        You can quickly cancel a recording if you’ve messed up by long-holding the shutter button while recording.

        Pause recording

        If you have some downtime during a shot, for example, you’re waiting at an intersection or for something to happen, tap the screen while recording (at the bottom) to pause your recording. You can then tap to resume at any time. 

        Quick Capture

        When the camera is off, press the shutter button to start shooting with QuickCapture. The camera will start shooting using the last-used shooting mode.

        Pre-recording

        Save 15 or 30 seconds of footage before you start recording. This can be handy if you want to catch something on film that is imminent.

        Interval (long period)

        Take a series of single photos over a long period of time. The photos can then be combined into a timelapse.

        Burst (short period)

        Take a series of photos in a short period of time (up to 10s). One use case is if you are alone and want to take a selfie or if you are with someone who is not good at taking photos. You can set the burst setting to 30p/10s, meaning 30 pictures in 10 seconds. Then, you can stand, smile, try different poses, etc, and later pick the best shots.

        Timelapse (for static, fixed-position shots)

        Create a timelapse video that condenses a long scene into a short video by taking a photo at a set interval. Use a tripod or fix the camera in one spot.

        • Shoot length: infinite, 3m, 5m, 10m, … 10h
        • Interval: 0.5s, 1s, 2s, … 120s

        For example, let’s say you want to film yourself having dinner on an airplane. You expect you will take 30 minutes to eat, so you choose 30m for “shoot length”. Then, you can adjust the interval to see how long the timelapse video will be. For example,

        • interval = 0.5s, => timelapse duration = 2m
        • interval = 10s, => timelapse duration = 6s

        The timelapse duration is shown on the screen.

        Timeshift (for moving shots)

        This is like a moving time-lapse.

        Auto-stop Recording

        If you want to shoot a video and have the camera auto-stop recording, you can set the duration to one of the preset values. The default is infinity (until the battery dies). Other options include 15s, 30s, … 3h, etc.

        Inconspicuous shooting

        If you want to film without people knowing that you’re filming, you can do the following to make people think that the camera is turned off.

        • Turn off the indicator light so there’s no flashing red light on the camera.
        • Turn off “Front Screen Display”
        • Use the GPS remote to start and stop shooting without touching the camera.

        How to Add Lower Thirds Motion Graphics in Adobe Premier Pro

        A lower third is a text title or graphic overlay placed in the lower region of the screen. Motion Graphics templates are a file type (.mogrt) that can be created in After Effects or Premiere Pro. Here’s an example of a motion graphic lower third.

        There are many motion graphic templates for lower thirds available online, e.g.

        In this tutorial, I just get a free one from Mixkit.

        Download MOGRT template

        Download this free template and unzip it. You’ll get an mogrt file and an mp4 file showing how the animated title looks.

        Add a video to your timeline in Premier Pro

        Drag a video to the timeline pane.

        Open the Essential Graphics pane

        Click on Window > Essential Graphics. You’ll see the Essential Graphics pane on the right.

        Install the mogrt file

        In the Essential Graphics pane, click the “Install Motion Graphics template” button in the bottom right corner. Browse to the mogrt file and click Open. The template will appear at the top of the list of templates in the Essential Graphics pane.

        Drag the template to the timeline

        I dragged it to the V2 track.

        Edit the template

        Double-click the motion graphics clip in the timeline (pink bar) to edit the template. Depending on the template, you can edit the text, colors, size, positioning, etc.

        Preview the lower thirds title

        Click the play to preview the lower thirds animated title. You may find the duration to be too short.

        Extend the duration of the lower thirds title

        Move the playhead in the timeline to the point where the title text is fully shown and not moving. At that point, right-click on the motion graphic clip in the video track (pink bar) and click on “Insert Frame Hold Segment”.

        This will split all clips at that timestamp and the motion graphic clip will be split such that you can extend the middle subclip, which is the clip containing the frame showing the full title text, to increase the duration of the title. You will need to move the right subclip of the animated title to the right to make room to extend the duration of the middle subclip.

        For the split video clip, just drag the right clips toward the left clip.

        You may end up with something like this.

        Preview the animated lower thirds title. If it looks good, export the video. Otherwise, tweak the title further.

        Remove an Object, Text or Watermark from a Video Using Adobe After Effects Content-Aware Fill

        The video below has some text added to it.

        Video with overlaid text / watermark

        The video below is the same video but with the text removed.

        Same video with text / watermark removed

        We can remove objects like text and watermarks from videos using Adobe After Effects (AE) content-aware fill feature. Here’s how I did it for the video above.

        1. Open your video in Adobe After Effects

        Choose “New Composition From Footage” and select your video.

        2. Shorten work area

        The content-aware fill takes a long time to process. To speed up testing, shorten the work area to a 2-second section by dragging the blue start and end markers on the timeline.

        3. Create a mask

        Click a tool like the pen tool and create a mask area around the object (in this case, text) you want to remove.

        4. Adjust mask settings

        In the video track, expand the Masks and select “Subtract”. For the Mask Feature, choose 20 pixels for the vertical and horizontal feather. For the Mask Expansion, choose 20 pixels as well. Play with these settings until you find values that produce good results.

        These changes cause the mask to look like this

        5. Adjust content-aware fill settings

        If the content-aware fill pane isn’t open, open it by going to Window > Content-Aware Fill.

        For the alpha expansion, I set the value to 13. You can experiment with different values.

        For the fill method, choose “Object”.

        For the range, choose “Work Area” because we only want to apply the fill to the short 2-second work area for now.

        Click the “Generate Fill Layer” button. You will be asked to save the project if you haven’t already done so. You will then see AE analyze and generate the fill layer.

        You will see the fill layer above the video layer in the list of tracks / layers.

        6. Preview the content-aware fill layer

        Click the play button in the preview pane to preview the content-aware fill.

        This is how it looks for me. I think that looks good. If it doesn’t look good, go back and tweak some of the previous settings and try again.

        7. Apply content-aware fill to the entire range containing the text to remove

        Move the blue start and end work area markers to the beginning and end where the object / text you want to remove.

        Disable the test content-aware fill layer by toggling the eye icon.

        In the content-aware fill pane, click “Generate Fill Layer”. AE will create a new content-aware fill layer above our test layer. If the work area duration is long, this will take time to process.

        Content-are fill will go through an analyzing phase followed by a rendering phase.

        8. Preview complete content-aware fill effect

        Click the play button in the preview pane again to see how the fill effect looks in the entire clip. If it looks good, you can export the video.

        9. Export the video

        Click File > Export > Add to Render Queue.

        If the output location is unspecified, choose an Output To location. Then click the Render button.

        Update: Use a reference frame for better results. The more reference frames, the better the results.

        Insta360 X2/X3 Filming Tips

        Timelapse Videos

        You can create timelapse videos using the Insta360 ONE X2/3. The resulting timelapse will be a 360-degree video that you can edit the same way you can non-timelapse videos. Unfortunately, the interval setting between when a picture is taken to create the timelapse can only be set from your phone. The interval options are 0.5s, 1s, 2s, 4s, 10s, 30s, 1min, 2min. Note that standard video is 29.97s, which is like making a timelapse video where the interval between still images is 1/29.97s or 0.03s. According to this timelapse calculator, if you film for 8 hours straight (event duration) with a shooting interval of 0.5s, then the camera will take 57600 photos. If you want the resulting timelapse video to have a frame rate of 29.97 fps, then the resulting timelapse video duration will be 32m 2s long.

        Here are the number of photos and video durations for an 8-hour event duration for the shooting intervals supported by the ONE X2.

        IntervalNumber of PhotosVideo Duration
        0.5s5760032m 2s
        1s2880016m 1s
        2s144008m
        4s72004m
        10s28801m 36s
        30s96032s
        1min48016s
        2min2408s

        I wouldn’t choose a timelapse interval greater than 10s since an 8-hour-long filming session would produce a video that’s longer than 1m 36s. If 1m 36s is too long, then in post-production, whether in Insta360 Studio or some other video editing program, you can speed up the timelapse to produce an even shorter video.

        The battery that comes with the Insta360 ONE X2 is good for 80 minutes. You can buy additional batteries, but if you’ll be recording a long timelapse video, it would be annoying to have to keep changing the battery every 80 minutes. In this case, you’re better off recording with the USB charging cable plugged in. To prevent overheating, remove the battery. The camera can still operate and record while plugged in.

        When taking a 360-degree timelapse video, make sure the following options are set

        360-degree mode (not 150-degree mode)

        Left to right: 360-degree mode, panorama mode, 150-degree wide-angle mode

        Video timelapse mode

        Slow Motion Videos

        If you want to make a slow-motion video, e.g. a real estate tour video, then you definitely want to record at a high frame rate like 60 fps. Then, in your video editor, slow down the video and export it at 30 or 60 fps. If the original video is recorded at 30 fps, then the slowed-down video will be choppy.

        https://www.youtube.com/watch?v=6ywQnh2gmX0

        Action Videos

        When filming action scenes, it’s better to record at a high frame rate so that playback will be sharp, more fluid, and not blurry.

        Low-Light / Night Scenes

        When filming in low light like at night, you’ll get much better results if you manually adjust the exposure.

        ISO

        ISO is a camera setting that will brighten or darken a photo.

        However, if you increase the ISO too high, you’ll see a lot of grain.

        You should only raise your ISO when you are unable to brighten the photo via shutter speed or aperture instead (for example, if using a longer shutter speed would cause your subject to be blurry). The ISO 200 image on the left was brightened with a long shutter speed.

        Shutter Speed

        Shutter speed is responsible for two particular things:

        • changing the brightness of your photo and
        • creating dramatic effects by either freezing action or blurring motion.

        Shutter speed is the length of time in seconds the camera shutter is open, exposing light onto the camera sensor. Essentially, it’s how much time your camera spends taking a photo. When the shutter is open, light passes through the lens and is collected on the camera sensor. The button that fires the camera is also called “shutter” or “shutter button,”

        Fast / Short Shutter Speed > Freezes Action

        A fast shutter speed is a small fraction of a second, like 1/250th of a second.

        Slow / Long Shutter Speed > Motion Blur

        A long shutter speed is 1 second or longer. A slow shutter speed is like 1/2 or 1/4 of a second.

        Shutter Speed and Exposure (Brightness)

        If you use a long shutter speed, your camera sensor gathers a lot of light, and the resulting photo will be quite bright. If you use a quick shutter speed, your camera sensor is only exposed to a small fraction of light, resulting in a darker photo. 

        The following flowchart can help you tweak the ISO and shutter speed.

        Left: Manual Exposure. Right: Auto Exposure

        Learn more

        Invisible Selfie Stick

        Insta360 offers some selfie sticks that will become invisible in your videos. I have 2 sticks

        1. 2-in-1 invisible selfie stick with tripod (3.4′ long)
        2. Extended edition selfie stick (10′ long)

        Following are how some videos look when using each stick.

        3.4′-long selfie stick, front, face level
        10′-long selfie stick extended to about 5′, front, face level
        3.4′-long selfie stick, front, stomach level
        3.4′-long selfie stick, 45-degree angle, face level
        3.4′-long selfie stick, side, face level
        3.4′-long selfie stick, side, face level
        3.4′-long selfie stick, front, feet level
        3.4′-long selfie stick, straight up
        10′-long selfie stick, straight up
        10′-long selfie stick, up, back
        10′-long selfie stick, up, side

        10′-long selfie stick, front spin, face level
        10′-long selfie stick, low to high, facing down
        10′-long selfie stick, low to high, facing up

        Selfie Drone

        For comparison, following are some videos taken with the Hover Air X1 selfie drone.

        Bird’s Eye, no spin, 10 feet
        Bird’s Eye, no spin, 10 feet, return
        Bird’s Eye, no spin, 50 feet
        Bird’s Eye, no spin, 50 feet, return
        Bird’s Eye, fast spin, 50 feet
        Bird’s Eye, fast spin, 50 feet, return
        Bird’s Eye, slow spin, 50 feet
        Bird’s Eye, slow spin, 50 feet, return
        Dolly track
        Dolly track
        Follow
        Hover with target tracking
        Orbit, 5 feet
        Orbit, 20′
        Zoom out, down
        Zoom in, down, return
        Zoom out, flat
        Zoom in, flat
        Zoom out, up
        Zoom in, up
        Zoom out, up, far
        Zoom in, up, far

        Lens Care

        The Insta360 X2/X3 camera has protruding lenses on two sides. As such, the lenses can easily get scratched, so extreme care must be taken to prevent that from happening. Also, before shooting, you should always clean the lens to remove any dirt or fingerprints. A dirty lens can easily result in a blurry shot. Following are comparisons of image quality when different lens conditions.

        Brand New and Clean Lens

        The image quality is relatively sharp.

        Brand New Lens But Full of Fingerprints

        The image is blurry, especially around the lights.

        Scratched But Clean Lens

        Despite being cleaned with a new cloth, the image is partially blurry due to the scratched part of the lens.

        3rd-Person Pan

        High-Up Shot

        Freestyle

        Hyperlapse

        Rise-Up Reveal

        Upward Tilt

        Improve Music Audio Quality with a Wireless Bluetooth DAC+AMP

        There are at least 3 major things that affect music audio quality:

        1. Speakers
        2. Audio source, e.g. mp3 file, FLAC file, etc
        3. Digital-to-Analog Converter (DAC)

        Some people may argue that transmitting audio over Bluetooth degrades sound quality, but the reality is the difference is so small that it’s negligible.

        Speakers

        Needless to say, quality speakers are necessary to hear music at a higher quality. Don’t expect to hear quality audio from cheap $10 earphones. Since I’m not an audiophile and I’m not interested in spending thousands of dollars just for speakers, I just have what I guess are prosumer speakers. Specifically, I have:

        And since it makes no sense to buy them at full price, I buy them renewed on Amazon for a big discount because even renewed, they look and function exactly like they are brand new.

        The WH-1000XM4 has a better sound stage, but it’s bulkier and leaks audio a lot. Also, it’s not great for working out because I feel it moves around too much and gets in the way of my workout. The WI-1000XM2 is compact, doesn’t leak audio, and can easily rest on my neck when not in use. The problem is when listening to music on my phone, the volume is often not high enough, especially when at the gym or when traveling by plane. This is where having an amplifier (amp) takes care of volume issues.

        Audio source

        I’ve dabbled with lossless FLAC files, but when compared to high-bitrate mp3 files, I personally can’t notice a big enough improvement to justify the cost and huge file size. I’m okay with mp3s as long as the bitrate is high enough. I normally just buy mp3s from Amazon Music. Don’t expect to hear quality audio from low-bitrate mp3s, though. The compression is too lossy.

        Digital-to-Analog Converter (DAC)

        Chances are you probably listen to music from your phone and sometimes from your laptop like me. The problem is the converters in them that convert digital audio signals to analog signals are likely of low quality. I have the Google Pixel 4a 5G smartphone. It’s a mid-range phone. But even if you have a high-end phone, the digital-to-analog converter (DAC) is most likely not as good as a dedicated DAC. Fortunately, there are small Bluetooth DACs that are lightweight and can clip onto your shirt. I tested the EarStudio ES100 MK 2 ($60 renewed, $80 new on Amazon).

        When comparing the audio quality with and without this DAC, it’s clear that the DAC makes a decent, if not big, difference, depending on the song I’m listening to. The DAC is also an amplifier and can increase the volume to levels higher than I’d ever need it to be. It didn’t come with an aux cable, so I bought a short 4-inch one. The setup might seem complex, but it’s not that bad, especially if you’re just sitting for a long time, like on a long flight.

        Instead of pairing your head/earphones to your audio source (phone, laptop, etc), you pair the DAC to it.

        Though it has volume controls, I find it easier to adjust the volume from the phone app. It’s recommended to set the source volume (phone or laptop volume) to max and to adjust the analog (DAC) volume. The app has a lot of options and clear explanations, but I find the default settings to be sufficient.

        Create a Google Earth Movie/Tour That Flies Along a Path

        In Google Earth Pro for Desktop, you can record a tour in real time by clicking the navigation controls or by clicking on saved placemarks. However, unless you are just moving from one point to another, the resulting tour may not be as smooth as you’d like. For example, if you have three placemarks, then as you click each placemark while recording the tour, the transition between placemarks will not be smooth.

        To create a smooth tour that appears as if you are flying a plane or drone at a fixed altitude along a multipoint path, you need to create a path in Google Earth. Here’s an example. Let’s say we want to fly along the Las Vegas Strip.

        Change Settings

        Go to Tools > Options > Touring and change the settings as in this screenshot. Make sure to click the “Apply” button and the “OK” button to save your changes.

        Now, click the “Navigation” tag and change the settings to match this screenshot.

        Create Path

        When adding a path, your mouse pointer will turn into a crosshair and you will need click to add points along your desired path. In this mode, you will not be able to zoom, change altitude, direction or pan by clicking on the screen because doing so would add path points. If you need to move around, you’ll need to use the navigation controls.

        When creating a path, I find it easier to have your view facing straight down to the ground like this. In this example, my starting point will be just south of the south end of the Strip before the Mandalay Bay.

        Click Add > Path

        A dialog window will pop up. We’ll name the path “Las Vegas Strip”. Let’s also specify the altitude we want our flight path to be from the ground.

        1. Click the “Altitude” tab.
        2. Set Altitude to “400m” for 300 meters.
        3. Make sure “Relative to ground” is selected.

        Click to add path points

        In the screenshot below, you’ll see that I created 3 points. From bottom to top, there’s 2 red points and 1 blue point.

        Since I need to pan to the north to add more points along the Strip, I will use the navigation control up arrow to do so.

        After adding all the last point (just north of the STRAT), I zoomed out to check the entire path. As you can see, all but the last point are red and the path curves to the right as it goes north.

        Now that my path is done, I’ll click the OK button in the path dialog window. That adds the path to My Places.

        Since I don’t want to see the white path line / curve, I’ll uncheck the checkbox next to the path name.

        To play the path tour, just click the path Play Tour button, as shown below.

        If you’re happy with how the tour looks, you can record it by clicking the “Record a Tour” button and then click the Play Tour button.

        Then click Tools > Movie Maker to export the video.

        Here’s how the video tour came out.

        Create an Animated Travel Map Route with Pinnacle Studio

        In this tutorial, I will explain how to create an animated travel map route from point A to point B using Pinnacle Studio.

        1. Create two map images

        We’re going to need to create 2 images.

        1. an image without a route
        2. an image with a route

        This tutorial assumes you know how to create such images. I took a screenshot of Google Maps for the map background and used Photoshop to add balloon markers and location labels and to create the smooth route curves.

        map-driving-route.png
        map-driving-route-lax-griffith-w-line.png

        2. Add images to video tracks

        • Open Pinnacle Studio
        • Click the Edit tab
        • Click the Library tab
        • Drag the two images to the library pane

        Then, drag

        • the image with the line to AV track 1
        • the image without the line to AV track 2

        By default, the clips will be 3 seconds long. I prefer to drag them so they are 10 seconds long.

        3. Create the animation

        • Drag the playhead to the beginning of the image clips
        • Double-click on the image on AV track 1
        • Click the “Effect” tab
        • Click the “2D-3D” tab
        • Double-click “2D Editor Advanced”
        • For “Select Preset”, choose “No Preset”

        Scroll down. Under “Cropping, we’re going to edit the cropping properties as follows:

        • if the line will mostly animate toward the bottom, drag the Top % slider until the line first completely disappears.
        • if the line will mostly animate toward the top, drag the Bottom % slider until the line first completely disappears.
        • if the line will mostly animate toward the right, drag the Left % slider until the line first completely disappears.
        • if the line will mostly animate toward the left, drag the Right % slider until the line first completely disappears.

        The clip in AV track 1 shows a black mask partially covering the image as you drag the slider.

        Drag the slider, you’ll notice the line starts to disappear in the preview window.

        Scroll back up in the 2D Editor Advanced pane and click on the diamond icon to turn on keyframing.

        • Drag the playhead to the point on the clip where you want the line to be finished. This will also change the speed of the “animation” as the cropping will go quicker if you end it earlier. I just dragged it to near the end of the clip.
        • Scroll back down and drag the slider to the left until the line first appears in full
        • Preview the animation in the preview window.
        • If the animation looks good, you can export it.

        One idea is to partially overlay a video clip of you driving while describing your trip.

        Another idea is to overlay the map route animation at 50% opacity over a video of the trip.

        In the example above, I used the following two images.

        sf-la-without-line.png
        sf-la-with-line.png

        To create the composite video, I used Corel VideoStudio and put the route animation video on an overlay track.

        Double-clicking the overlay clip opens the clip’s settings. I clicked the “Blending” tab and then set the opacity to 50%.

        I then had to slow down the speed of the route animation so its duration would be close to or match that of the airplane clips.

        • Right-click on the route animation clip
        • Speed > Speed/Time-lapse…
        • Change duration (in my case, I chose 20 seconds)

        UPDATE

        It’s actually easier to create the route animation on a Mac using Keynote. See these video tutorials.

        Map Resources